Many of the crime stories in our March/April issue involve movement—a chase, a hunt, an escape—and each follows its own twisty journey. Dale Berry offers a graphic story of raw ambition in “The Trail;” a young pickpocket and a grave robber team up to travel a dark path in pre-revolutionary Paris in R. T. Lawton’s “The Left Hand of Leonard;” Bill Pronzini and Barry N. Malzberg give us a tale of a grieving husband and father who seeks to atone for a tragic lapse by becoming a “Night Walker”; and a young couple on the run is fatally drawn to a roadside carnival in “Fair Game” by Max Gersh.
Martin Limón’s popular 8th Army C.I.D. agents in 1970s Korea are on the trail of American G.I.’s who beat and robbed a local cabbie and took off with his young female passenger in “High Explosive.” A Denver cabbie reverses direction when he owes the wrong people in Michael Bracken’s “The Mourning Man.” A young kid gets more adventure than he bargained for in Mario Milosovic’s coming-of-age story “The Hitchhiker’s Tale.” And a routine traffic stop is anything but in Robert Lopresti’s “Nobody Gets Killed.”
Sassy Las Vegas stylist Stacey Deshay returns with a special assignment for a comeback star only to discover that her road crew has another agenda in “Knock-Offs” by Shauna Washington. A portrait photographer’s session with a beloved pet develops a negative aspect in “Off-Off-Off Broadway” by Dara Carr. A spouse-sitting assignment gets complicated for Ecuadorian P.I. Wilson Salinas in “Los Cantantes de Karaoke” by Tom Larsen.
In Michael Black’s “Walking on Water,” a P.I. takes on a client in Witness Protection. And Tim Chapman’s one-armed P.I. struggles to remain inconspicuous as he scouts for shoplifters in “The Handy Man.”
Many and varied are the paths that lead to criminal behavior. Leave it to AHMM to steer you straight.
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by Tom Larsen
“Wilson! Oye, Wilson Salinas!”
The voice that called out to me sounded like dried leaves being raked across concrete. I looked for the caller as I crossed Calle Antonio Vallejo and located him sitting at a plastic table in the tiny courtyard of a neighborhood tienda, down where the steep, pockmarked street dead-ended into Del Chorro. READ MORE
by Martin Limón
When we walked into the interrogation room the cabdriver screamed “Kocheingi,” shoving his chair backward and almost toppling over.
We paused. Ernie grabbed his nose and squeezed it. “Not so big,” he said.
Even he knew what kocheingi meant. Big nose. A pejorative often used by Koreans to refer to Westerners in general. READ MORE
by Robert C. Hahn
The publicity mills of publishing love nothing more than genre writers (romance, science fiction, crime fiction, etc.) who can be relied on to produce one, or more, series entries every year. It is a well-worn path to building an audience of eager buyers that hopefully will grow with each new volume.
But sometimes authors may tire of a character, or feel that they’ve done everything they can with him (or her); or may just want to explore other possibilities. READ MORE
We give a prize of $25 to the person who invents the best mystery story (in 250 words or less, and be sure to include a crime) based on the photograph provided in each issue. The story will be printed in a future issue. READ THE MOST RECENT WINNING STORY.
Acrostic puzzle by Arlene Fisher
Solve the clues to reveal an interesting observation about an author and their work! Shh! The solution to the puzzle will appear in the next issue. CURRENT ISSUE'S PUZZLE
by Willie Rose
Solve the puzzle to reveal a quotation from a short mystery story! MOST RECENT PUZZLE