skip to Main Content
The Finest in Crime and Suspense Short Fiction
 
September/October 2022

Welcome to Alfred Hitchcock’s Mystery Magazine! Discover original, spine-tingling stories by top-notch authors and new writers from all corners of the mystery genre, plus news, reviews, and more… to make your blood run cold!

EXCERPTS:
Becoming Ian Fleming
Kevin Egan

Scars
Iain Rowan

BOOK REVIEWS:
Booked & Printed
Laurel Flores Fantauzzo

EDITOR’S NOTES:
You Can Go Back, But…
Linda Landrigan

MYSTERIOUS PHOTOGRAPH:
The Story That Won
In 250 words or less…

Get Your Subscription Delivered to Your Door! Shop Now!

Get Your Subscription Delivered to Your Door! Shop Now!

Print Magazine

Murder, Mayhem, Whodunit. 
AHMM’s award-winning stories delivered directly to your door!

Digital Newsstand

Start Reading
Available for your tablet, Reader, Smart
Phone, PC, and Mac!

SNEAK PEEK

Where there is affection or loyalty, there is the potential for betrayal. And when a crime involves a victim, their pain will be compounded when betrayal is involved, whether it be of trust, of confidence . . .

READ MORE

AWARDS

OVER 60 YEARS OF AWARDS

157 Nominations from the full breadth of mystery genres

37 Award-winning stories

Edgar, Agatha, Barry, Arthur Ellis, Robert L. Fish, Macavity, Shamus, Thriller, Anthony

INVESTIGATE EQMM

FROM THE EDITOR
Great stories of any genre are rooted in characters — well-drawn, individual, and credibly motivated…

ABOUT AHMM
Alfred Hitchcock’s Mystery Magazine is one of the oldest and most influential magazines of short mystery and crime fiction in the world. Launched over 60 years ago, today AHMM maintains a tradition of featuring both promising aspiring writers and talented authors, spanning the full spectrum of sub-genres from dark noir to graphic works.

AUTHORS’ CORNER
Meet the Who’s Who of Alfred Hitchcock’s Mystery Magazine authors! View The Lineup of contributors in the current issue, see what motivates our writers, and much more.

In real life, many crimes are opportunistic, unpremeditated, even unintentional. But in fiction, some of the most interesting crime stories feature characters wrestling with the long-term consequences of actions and decisions deep in their past. Just as our understanding of past events changes over time, many of the characters in this issue come to view their personal histories and choices, or those of others, through new, perhaps world-weary, eyes.

In James A. Hearn’s “When the Dam Breaks,” a popular politician, working with a ghostwriter on his memoir, reflects on his early life as an up-and-comer. In Michael Nethercott’s “Polk, Pitts, and Cadaver,” a dying confession leads a young vaudeville performer to suss out the truth of a tragic misadventure. 

THE CRIME SCENE
“Skeletons in the Closet”… Get the latest news, check out Editor Linda Landrigan’s blog, enjoy lively podcasts, test your mystery puzzling mettle, see if you have what it takes to be a mystery writer. It’s all here.

AN INSIDE LOOK
Art by Shutterstock.com

Becoming Ian Fleming
by Kevin Egan

Late in the summer my uncle ran for mayor, three convicts in transit between two prisons escaped into the woods on the outskirts of town. My cousin and I were campaigning on that hot, sleepy afternoon, a chore that entailed asking neighbors if we could plant signs bearing my uncle’s name in their yards. We were in front of Billy Nardozzi’s house when we heard the sirens in the distance, but we paid them little mind because we were dickering over whether we should knock on the door. Mr. Nardozzi’s truck was not in the driveway, which meant he was out working somewhere in town. A second-floor window was open, and behind the screen a typewriter pattered fitfully. We had only one sign left, one sign that separated us from the rest of a summer day and the hope that we could catch a ride to the beach. My cousin, however, hesitated.

“Let’s come back when Mr. Nardozzi is here,” he said. “He fixed our roof in the spring.” READ MORE

 

Art by Shutterstock.com

Scars
by Iain Rowan

“Say that again,” Alice said. She must have misheard. She was used to Emma calling at all hours, sharing triumphs and disasters. She had been woken at three a.m. to dissect the attractions of a new colleague, summoned pink and dripping from the bath to hear Emma sobbing over his leaving, comforted her through plumbing disasters and dying goldfish, and sometimes her attention wandered.

“I’ve killed him,” Emma said.

“Em, be serious.”

“I’ve hit him with my car, and I meant to do it, Alice, I’ve hit him and I’ve killed him.”

Alice knew it was important to take control now. “Take a deep breath. Tell me, step by step, what has happened.” READ MORE

Back To Top
0
    0
    Your Cart
    Your cart is emptyReturn to Shop